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In his painting At the Cycle-Race Track, Jean Metzinger aims to depict a bike race in four-dimensional space. Of course,...

GMAT Expression of Ideas : (Expression) Questions

Source: Practice Test
Expression of Ideas
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MEDIUM
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In his painting At the Cycle-Race Track, Jean Metzinger aims to depict a bike race in four-dimensional space. Of course, Metzinger's painting doesn't technically represent a fourth dimension; humans can only see in three dimensions. ________ by depicting the race through multiple, simultaneous perspectives, Metzinger offers a fascinating glimpse at what this other universe might look like.

Which choice completes the text with the most logical transition?

A
Moreover,
B
That said,
C
In other words,
D
For example,
Solution

Step 1: Decode and Map the Passage

Create Passage Analysis Table

Text from PassageAnalysis
"In his painting At the Cycle-Race Track, Jean Metzinger aims to depict a bike race in four-dimensional space."
  • What it says: Metzinger wants to paint bike race in 4D space
  • What it does: Introduces Metzinger's artistic goal
  • What it is: Artist's intention/claim
"Of course, Metzinger's painting doesn't technically represent a fourth dimension; humans can only see in three dimensions."
  • What it says: Painting not actual 4D; humans see only 3D
  • What it does: Acknowledges limitation to the previous goal
  • What it is: Qualifying statement/contradiction
"by depicting the race through multiple, simultaneous perspectives, Metzinger offers a fascinating glimpse at what this other universe might look like."
  • What it says: Multiple perspectives give glimpse of "other universe"
  • What it does: Explains how painting achieves something meaningful despite limitation
  • What it is: Resolution/achievement despite constraints

Provide Passage Architecture & Core Elements

Main Point: While Metzinger's painting cannot technically represent four-dimensional space, it still provides a meaningful glimpse into what such a universe might look like through multiple simultaneous perspectives.

Argument Flow: The passage presents an artistic goal, acknowledges why that goal is technically impossible, but then shows how the artist still achieves something valuable despite that limitation.


Step 2: Interpret the Question Precisely

This is a fill-in-the-blank question asking us to choose the best logical connector. The answer must create the right relationship between what comes before and after the blank.


Step 3: Prethink the Answer

  • Looking at our passage analysis, we see a clear pattern: sentence 2 presents a limitation (the painting can't technically be 4D), but sentence 3 shows that despite this limitation, the artist still accomplishes something meaningful
  • The transition we need must acknowledge the limitation stated in sentence 2 and signal that we're moving past that limitation to introduce a contrasting idea that shows achievement despite constraints
Answer Choices Explained
A
Moreover,
Moreover
✗ Incorrect
  • "Moreover" adds to or continues the same line of thinking
  • This would suggest we're building on the limitation, not moving past it
  • Doesn't fit the contrast between limitation and achievement we identified
B
That said,
That said
✓ Correct
  • "That said" acknowledges what was just stated but introduces a qualifying or contrasting point
  • Perfect for acknowledging the limitation while introducing what the artist still accomplishes
  • Creates the exact logical relationship we need between limitation and achievement
C
In other words,
In other words
✗ Incorrect
  • "In other words" introduces a restatement or clarification of the previous point
  • The third sentence isn't restating the limitation—it's showing what the artist achieves despite it
D
For example,
For example
✗ Incorrect
  • "For example" introduces a specific instance of what was just described
  • The multiple perspectives aren't an example of the painting not being 4D
  • This would create a confusing logical relationship
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