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In the 1700s and 1800s, European composers experimented with volume in their musical works. They did so by increasing the...

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In the 1700s and 1800s, European composers experimented with volume in their musical works. They did so by increasing the number of musicians playing in the orchestra. For example, in some of his operas, German composer Richard Wagner added more horns, trombones, and tubas to the orchestra. With more instruments playing at the same time, the orchestra could play extremely loudly at key moments in his operas.

According to the text, how did Richard Wagner achieve moments of extremely high volume in his operas?

A

By moving the performances of his operas from outdoor stages to indoor ones

B

By increasing the number of musicians playing horns, trombones, and tubas in the orchestra

C

By building a concert hall whose shape would cause sounds to echo

D

By insisting that the singers undergo special training to sing for extended periods of time

Solution

Step 1: Decode and Map the Passage

Part A: Create Passage Analysis Table

Text from PassageAnalysis
'In the 1700s and 1800s, European composers experimented with volume in their musical works.'
  • What it says: 1700s-1800s composers tested volume methods
  • What it does: Introduces the historical context and main topic
  • What it is: Opening context
'They did so by increasing the number of musicians playing in the orchestra.'
  • What it says: Method = adding more musicians
  • What it does: Explains the general approach composers used
  • What it is: Main method explanation
'For example, in some of his operas, German composer Richard Wagner added more horns, trombones, and tubas to the orchestra.'
  • What it says: Wagner added horns, trombones, tubas
  • What it does: Provides specific example of the general method
  • What it is: Concrete example
'With more instruments playing at the same time, the orchestra could play extremely loudly at key moments in his operas.'
  • What it says: More instruments = extremely loud moments
  • What it does: Explains the result of Wagner's approach
  • What it is: Outcome/effect

Part B: Provide Passage Architecture & Core Elements

Main Point: European composers in the 1700s and 1800s experimented with volume by adding more musicians to their orchestras, with Wagner specifically adding brass instruments to achieve extremely loud moments.


Step 2: Interpret the Question Precisely

What's being asked? How Richard Wagner specifically achieved extremely high volume in his operas

What type of answer do we need? A specific method or technique Wagner used

Any limiting keywords? 'According to the text' means we need information directly stated, not inferred


Step 3: Prethink the Answer

  • The correct answer must tell us Wagner's specific method for achieving high volume
  • From our passage analysis, we know Wagner 'added more horns, trombones, and tubas to the orchestra'
  • We also know that 'with more instruments playing at the same time, the orchestra could play extremely loudly'
Answer Choices Explained
A

By moving the performances of his operas from outdoor stages to indoor ones

✗ Incorrect
  • Claims Wagner moved performances from outdoor to indoor stages
  • The passage never mentions anything about performance locations or stages
  • This is completely unsupported by the text
B

By increasing the number of musicians playing horns, trombones, and tubas in the orchestra

✓ Correct
  • States Wagner increased the number of musicians playing horns, trombones, and tubas
  • This directly matches what the passage tells us: 'Richard Wagner added more horns, trombones, and tubas to the orchestra'
C

By building a concert hall whose shape would cause sounds to echo

✗ Incorrect
  • Suggests Wagner built concert halls with echo-causing shapes
  • The passage mentions nothing about concert hall construction or acoustics
D

By insisting that the singers undergo special training to sing for extended periods of time

✗ Incorrect
  • Claims Wagner required special singer training for extended performances
  • The passage focuses entirely on instrumental changes, not vocal techniques
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