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Text 1The live music festival business is growing in event size and genre variety. With so many consumer options, organizers...

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Text 1

The live music festival business is growing in event size and genre variety. With so many consumer options, organizers are finding ways to cement festival attendance as a special experience worth sharing. This phenomenon is linked to the growing 'experiential economy,' where many find it gratifying to purchase lived experiences. To ensure a profitable event, venues need to consider the overall consumer experience, not just the band lineup.


Text 2

Music festival appearances are becoming a more important part of musicians' careers. One factor in this shift is the rising use of streaming services that allow access to huge numbers of songs for a monthly fee, subsequently reducing sales of full-length albums. With this shift in consumer behavior, musicians are increasingly dependent on revenue from live performances.

Based on the texts, both authors would most likely agree with which statement?

A

Consumers are more interested in paying subscription fees to stream music than in attending music festivals in person.

B

Consumers' growing interest in purchasing experiences is mostly confined to the music industry.

C

Changing consumer behaviors are leading to changes in music-related businesses.

D

The rising consumer demand for live music festivals also generates higher demand for music streaming platforms.

Solution

Step 1: Decode and Map the Passage

Part A: Create Passage Analysis Table

Text from PassageAnalysis
The live music festival business is growing in event size and genre variety.
  • What it says: Festival business = expanding (size + variety)
  • What it does: Introduces the current state of the festival industry
  • What it is: Opening context
With so many consumer options, organizers are finding ways to cement festival attendance as a special experience worth sharing.
  • What it says: Many options → organizers focus on unique experiences
  • What it does: Explains how organizers are responding to competition
  • What it is: Response/adaptation
This phenomenon is linked to the growing 'experiential economy,' where many find it gratifying to purchase lived experiences.
  • What it says: Connects to experiential economy = people value buying experiences
  • What it does: Provides broader economic context for the festival changes
  • What it is: Context/explanation
To ensure a profitable event, venues need to consider the overall consumer experience, not just the band lineup.
  • What it says: Profit requires focus on whole experience, not just bands
  • What it does: Concludes with what festival organizers must do
  • What it is: Conclusion/recommendation
Music festival appearances are becoming a more important part of musicians' careers.
  • What it says: Live performances = increasingly important for musicians
  • What it does: Introduces the musician perspective on festivals
  • What it is: Opening claim
One factor in this shift is the rising use of streaming services that allow access to huge numbers of songs for a monthly fee, subsequently reducing sales of full-length albums.
  • What it says: Streaming services → reduced album sales
  • What it does: Explains one cause of the shift toward live performance importance
  • What it is: Cause/explanation
With this shift in consumer behavior, musicians are increasingly dependent on revenue from live performances.
  • What it says: Consumer behavior change → musicians depend more on live shows for money
  • What it does: States the consequence for musicians
  • What it is: Effect/conclusion

Part B: Provide Passage Architecture & Core Elements

Visual Structure Map:
TEXT 1: Festival Industry Perspective
[Festival business growing] → [Competition → focus on experience] → [Part of broader experiential economy] → [Must prioritize overall experience for profit]

TEXT 2: Musician Perspective
[Festival appearances more important for musicians] → [Streaming reduces album sales] → [Musicians depend more on live performance revenue]

Main Point: Both texts show how changing consumer behaviors are transforming different aspects of the music industry - festivals and musician revenue strategies.

Argument Flow: Text 1 explains how consumer demand for unique experiences is driving festival organizers to rethink their approach beyond just booking bands. Text 2 shows how consumer adoption of streaming services has reduced album sales, making live performances increasingly crucial for musicians' financial survival. Both texts demonstrate adaptation to shifting consumer preferences.

Step 2: Interpret the Question Precisely

What's being asked? We need to find a statement that both authors would agree with based on their respective texts.

What type of answer do we need? A point of agreement or shared perspective between the two passages.

Any limiting keywords? 'Both authors would most likely agree' - this means the answer must be supported by evidence from both texts, not just one.

Step 3: Prethink the Answer

  • Looking at both texts, we can see some common themes
  • Text 1 shows how consumer preferences for experiences are changing how festival organizers operate their businesses
  • Text 2 shows how consumer adoption of streaming is changing how musicians approach their careers and revenue
  • Both texts demonstrate that shifts in what consumers want or how they behave are forcing changes in music-related businesses
  • The right answer should capture this shared theme about consumer behavior driving changes in the music industry, rather than focusing on specific details that only appear in one text
Answer Choices Explained
A

Consumers are more interested in paying subscription fees to stream music than in attending music festivals in person.

✗ Incorrect
  • Claims consumers prefer streaming subscriptions over attending festivals
  • Text 1 doesn't discuss streaming preferences and actually suggests festivals are growing
  • Text 2 mentions streaming but doesn't compare it to festival attendance
B

Consumers' growing interest in purchasing experiences is mostly confined to the music industry.

✗ Incorrect
  • Claims interest in purchasing experiences is mostly confined to the music industry
  • Text 1 specifically mentions the broader experiential economy, indicating this trend extends beyond just music
C

Changing consumer behaviors are leading to changes in music-related businesses.

✓ Correct
  • States that changing consumer behaviors lead to changes in music-related businesses
  • Text 1 shows consumer demand for experiences changing how festival organizers operate
  • Text 2 shows consumer streaming behavior changing how musicians approach their careers
  • Both texts clearly demonstrate this cause-and-effect relationship
D

The rising consumer demand for live music festivals also generates higher demand for music streaming platforms.

✗ Incorrect
  • Claims festival demand generates streaming platform demand
  • Neither text establishes this connection between festivals and streaming
  • The texts treat these as separate consumer behaviors, not linked demands
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